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SX-Ms USER MANUAL 

By buying the SX-M2 you have acquired a high quality microphone amplifier used by many professional sound engineers. This instrument has been developed to the quality standards SONOSAX is renowned for, using to your advantage our many years of experience in sound applications. Easy to use, it provides you all the necessary features you need for high quality recording. In combination with two good microphones and a DAT recorder, for instance, the SX-M2 enables you to record a master tape of excellent quality which could be used for the production of compact discs.

Read this instruction manual carefully as it will help you to take full advantage of your SONOSAX SX-M2. Please note that this manual applies to standard versions, and some slight differences may exist.

 

1. IDENTIFICATION

The serial number appears on the underside of the instrument, as shown : SX-M2/48V/041'XXXX. 48V indicates that the mic power supply is 48 volt phantom. Never modify or damage this label as it contains essential factory references which are required for any eventual repairs under warranty.

 

2. WARRANTY

The warranty is valid for a period of one year starting from the date of purchase and covers parts and labor, shipping costs not included. Only officially appointed distributors are allowed to warranty repair SONOSAX products; otherwise, repair work covered by the warranty should be referred to the factory.

 

3. USING BATTERIES OR NiCd ACCUMULATORS

The SONOSAX SX-M2 can be powered by two 9 volt alkaline batteries (UCAR 6LR61 or equivalent) or by two NiCd rechargeable accumulators (UCAR RC22 or equivalent). Place batteries or accumulators in the two compartments at the back of the SX-M2.

 

4. OPERATING WITH BATTERIES OR ACCUMULATORS

Move the "POWER" switch to the left. After 2 to 3 seconds, the "ON" led at the center of the front panel will flash every 3 seconds.

 

5. LOW BATTERY WARNING

The "ON" led will flash every second when the total battery voltage drops to 14 volts. (See AUTONOMY)

 

6. AUTONOMY

The autonomy of your SONOSAX SX-M2 is proportional to the type of batteries/accumulators, and the kind of microphones used. The table below shows different figures (each 48V microphone uses 2mA) :

POWER ALKALINE

NICD ACCUMULATORS
microphones dynamic 48volts dynamic 48volts
warning(14v) 440mn 300mn 180mn 120mn
reserve(12v) 200mn 140mn 15mn 10mn
TOTAL 640mn 440mn 195mn 130mn

 

7. EXTERNAL POWER

The SONOSAX SX-M2 can also be powered from an external DC source, from 12 to 24 Volts, via the "DC IN" connector.(Battery powering is automatically disabled once an external DC source is used.) Once the external power supply is connected, the SX-M2 may then be operated as when powered by batteries or accumulators. If the "ON" led flashes normally (every 3 seconds), the external voltage is between 14 to 24 Volts. If it flashes every second, the external voltage is below 14 Volts.

 

8. MICROPHONE POWERING

To ensure the correct power supply of condenser mics, move the "MIC POWER" switch to the right. (The standard version provides 48 Volt phantom). When using dynamic microphones or line, leave the "MIC POWER" switch in the left position.

 

9. GAIN SELECTOR

The gain switch has three positions. The center position ensures the 0dB gain (unity gain). In this case, the output level is equal to the input level. This could be of help when the SX-M2 is used as an impedance adapter, or a balanced line driver. The "LO" gain position allows 6dB to 40dB gain, and the "HI" gain position, 20dB to 76dB.

 

10. OVERLOAD INDICATOR

The two "OVD" LED's indicate the limit of 6dB before the clipping point. The overload reference is proportional to the DC voltage. Thus the lower the power supply voltage, the higher the possibility of the "OVD" LED’s lighting up.

 

11. LOW CUT FILTER

The "LF CUT" filter allows cutting of very low frequencies. To turn on this filter, move the "LF CUT" switch downward.

 

12. INPUT CONNECTORS

The two input connectors "LEFT IN" and "RIGHT IN" are XLR type and are located on the right side of the SX-M2. Inputs are balanced transformerless. To connect with an unbalanced device, bridge the PIN 1 and the pin 3 to the ground.

 

13. UNBALANCED LINE OUT

The stereo output of the SX-M2 "LINE OUT", intended for its connection to an instrument with an unbalanced input (a DAT recorder, for example) is located on the right side. The connector is a 3,5mm stereo mini-jack.

 

14. BALANCED OUTPUT CONNECTORS

Balanced outputs "LEFT OUT" and "RIGHT OUT" are found on the left of the SX-M2. These outputs are up to professional standards and would, for example, enable connection to a recording machine in a studio. Connectors are XLR type and the outputs balanced transformerless. To connect with an unbalanced device, bridge the PIN 1 and PIN 3 of the connector.

 

15. RECOMMENDATIONS

 

16. SPECIAL VERSIONS

Designed for use by sound engineers, working frequently with the same pair of condenser or electret microphones, this version provides the same high quality amplification and features as the SX-M2.

The difference between the two versions is that the SX-M2/LS allows the user to directly connect the capsules without the microphone body thus creating a significant diminution of power consumption.

Technical changes

To be able to place the electronics of the microphone body inside the SX-M2/LS, LEMO connectors are used instead of the NEUTRIK XLR for the microphone inputs.

LEMO in L: Shield = Gnd, Pin 1 = +10V, 2 = +48V, 3 = signal in

LEMO in R: Shield = Gnd, Pin 1 = +10V, 2 = +48V, 3 = signal in

The SX-M2/LS can be used for all condenser or electret microphones having the possibility of changing the capsules on the microphone body, such as: Colette series of Schoeps, Blue Line of Sanken, or the similar line of Neumann.

It is important for these kind of microphones to use a good quality active cable. When buying the cable from a microphone manufacturer, do inform them that the amplification electronics often used in the cables is not required.

 

A very handy feature implemented on this version allows the user to switch the output of the amplifier on to Mono. The input signal of one Microphone is now available on both outputs. Using two microphones, a second switch allows to mix the L+R input to a mono signal which is available on both outputs.

 

Subject to change without notice

Last update 05/11/99 HJ

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